The portrayal of “anti-heroines” in the drama “Mask Girl” is in contrast to the typical narratives of empowered women in recent popular TV dramas.
The drama focuses on women who do not conform to conventional beauty standards and face various challenges, such as resorting to plastic surgery, engaging in internet broadcasts for money, enjoying being objectified, struggling with jealousy, having low self-esteem, revolving their lives around their sons, being consumed by religion, working in entertainment establishments, engaging in infidelity and telling lies.
While the era of female heroes is celebrated, “anti-heroines” emerge as characters who do not fit the traditional mold of strong and successful women. The main character Kim Momi dreams of performing on stage but feels hindered by her appearance, leading her to engage in explicit online broadcasting to gain support.
Traditional dramas often pair less attractive female characters with handsome male counterparts. However, “Mask Girl” breaks this pattern by focusing on the struggles and complexities of the female characters without providing male “rescuer” figures.
The drama also delves into relationships between different characters, like Momi’s daughter and her friend, highlighting the theme of authenticity versus deception. The drama may not align with traditional feminist narratives, but its portrayal of flawed and struggling women who find unexpected forms of support and love is praiseworthy.
These “anti-heroines” are relatable and compelling because they represent the struggles of real women who do not fit into idealized narratives of strength and success. It is important to recognize and empathize with the challenges faced by women in their pursuit of love and fulfillment in a society that often values superficial qualities.
Source: Daum
