On the July 16 episode of MBC FM4U’s “Kim Eana’s Starry Night”, Allday Project was invited to the program to promote their debut tracks “FAMOUS” and “WICKED.” However, what began as a celebratory moment quickly drew criticism for what many listeners perceived as condescending and dismissive remarks from the host.
Early in the interview, Kim opened with a question that raised eyebrows: “You’ve only debuted 24 days ago. Isn’t the response too quick? Doesn’t that make you arrogant?” She also commented on the challenges of being in a co-ed group, framing the concept with underlying skepticism.
Particularly scrutinized were her interactions with member Annie, who has garnered public attention due to her status as the daughter of Shinsegae Group president Jung Yoo-kyung. Kim speculated that Annie must have had the shortest trainee period, and when Annie cited “This too shall pass” as her life motto, Kim jokingly responded, “Are you saying you want this radio show to end soon?” a quip that many found inappropriate.
In another exchange, Kim questioned Tarzzan’s self-described “troublemaker” persona, asking, “Have you actually caused trouble? If not, then you’re not a troublemaker.” The remark was interpreted as overly evaluative, adding pressure to the already tense atmosphere.
Following the broadcast, listeners voiced their discomfort online, noting that the host’s tone felt more like a job interview than a promotional interview. Some criticized Kim for engaging with the guests without adequate background information, while others said that even her compliments sounded like assessments.
Comments from netizens included:
- “It felt like she was interrogating them.”
- “You could sense the members were uncomfortable.”
- “Even jokes need to be respectful.”
Allday Project officially debuted in June 2025 and quickly drew media attention due to Annie’s background. The group has been dubbed “chaebol idols” in some circles a moniker that appears to have influenced public and media perceptions, and possibly contributed to the underlying tone of the interview.
While Kim Eana has yet to release an official statement regarding the backlash, the incident has reignited broader conversations about power dynamics in broadcasting, and the responsibility of hosts to foster supportive environments particularly for new artists navigating their early careers.
Nate
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