Beginning in November, members ‌Haerin and Hyein rejoined ADOR, followed by Hanni in December. But the group’s future remains uncertain. Minji’s participation is still unclear, and Danielle whose contract with ADOR was terminated is facing damages claims of roughly 43 billion KRW (about USD 32 million). In effect, the original five-member lineup has disintegrated.

There’s no clear plan for a first-half comeback. NewJeans has not released a new album since “How Sweet” in May 2024, and if no comeback happens by mid‑2026, their gap between releases will reach two years effectively a career hiatus by K‑pop standards.

While NewJeans remains stuck in dispute, the K‑pop landscape has shifted. Groups once labeled their “4th-generation rivals” like aespa and IVE dominated awards season and solidified their positions. With emerging 5th‑generation groups targeting the global market, NewJeans’ space has narrowed. Considering album production timelines from song acquisition to recording industry insiders believe a rushed comeback without planning is unrealistic.

But the bigger issue is this: NewJeans isn’t trying to rebuild trust. In idol culture, image is a powerful brand and a core weapon. Yet since announcing their return, NewJeans has shown no effort to restore their damaged reputation. Instead, they’ve continued a standoff with ADOR, leaving the public’s trust unattended.

There’s growing concern that the members themselves don’t fully grasp the root of the controversy. What NewJeans urgently needs isn’t merely a comeback, but a legitimate reason to return. Expecting them to recapture past success purely through performance is wishful thinking.

newjeans ador return conflict

The public was shaken by how the group behaved during the dispute. Their actions clashed with the innocent image they had cultivated through their music. Despite benefiting from the K‑pop system enjoying wealth and popularity some members criticized the system publicly while positioning themselves as revolutionaries. They claimed workplace harassment and sought national institution support, yet dismissed judicial rulings when independent activities were legally blocked. This contradiction intensified disappointment.

Most strikingly, the group has never apologized for dragging fellow artists into their dispute and causing collateral damage. Their lingering silence only fuels belief that they may still cling to past antagonistic positions toward peers.

If NewJeans moves forward without acknowledging or apologizing for the hurt caused, it could be their worst decision yet. In a damaged image, even great music and performance will struggle to move audiences. What NewJeans truly needs now is courage the courage to face the consequences of their words and actions, and to close this chapter with accountability and dignity.

Sources: Sports Seoul