“Bad Angel” is a high-profile electronic collaboration between the Italian DJ/producer Anyma (Matteo Milleri of Tale of Us) and LISA of BLACKPINK. Released on April 8, 2026, the track arrived just days before Anyma’s headlining set at Coachella, where LISA is rumored to make a guest appearance.

Song Credits

  • Artist: Anyma, LISA
  • Album: Bad Angel
  • Released: April 8, 2026
  • Length: 3:01
  • Label: Interscope Records / LLOUD
  • Lyricist: LISA, Anyma, Sean Douglas, Sarah Hudson
  • Composer: Anyma (Matteo Milleri), Chris Greatti, Evan Blair

Anyma, LISA “Bad Angel” Official MV

Anyma, LISA “Bad Angel” Lyrics

Anyma, LISA “Bad Angel” Meaning

Anyma & Lisa “Bad Angel” is a high-impact electronic collaboration that blends futuristic soundscapes with a bold exploration of identity and power. Released ahead of major festival stages, the track stands out as both a sonic and visual statement.

At its core, “Bad Angel” revolves around the theme of duality and autonomy. The song plays with the contrast between purity and rebellion, presenting LISA as an “anti-hero” figure both angelic and dangerous. The hook “Pretty bad for an angel” highlights this contradiction, challenging the expectation that she must fit into a purely “good” or polished image. Instead, the lyrics embrace complexity, suggesting that her strength lies in being multifaceted and unapologetically herself.

The track also emphasizes power and control, portraying the “Bad Angel” as someone who defines her own rules in both love and life. With references to commanding “heaven and hell,” it positions LISA as a figure of absolute confidence and authority, blurring the line between light and dark.

Visually and conceptually, the song is elevated by Anyma’s signature futuristic, hyper-realistic aesthetic, where LISA appears as a cyborg-like angelic entity. This imagery symbolizes the fusion of human emotion with digital precision, reinforcing the idea of a modern, evolved identity that transcends traditional boundaries.

Overall, “Bad Angel” is a statement of self-definition and empowered duality proving that being both “good” and “bad” isn’t a contradiction, but a source of power.