BLACKPINK’s Lisa is drawing both praise and criticism following her provocative stage performance during the group’s DEADLINE world tour stop in Paris. Held from August 2 to 3 (KST) at the Stade de France France’s largest concert venue the performance captivated fans but also ignited heated debate online over its content and presentation.
The focal point of the controversy lies in Lisa’s outfit and choreography, which many described as overly revealing and sexually suggestive. During one segment, Lisa appeared in a short skirt that exposed the underside of her buttocks while performing a pole dance routine. Another part of the show featured her in tight hot pants, grinding against a male dancer, drawing comparisons to adult performances.
Netizens were quick to respond, and opinions were sharply divided. Critics voiced concern over the explicit nature of the dance, especially given that the concert was not restricted by age and welcomed fans of all ages. Some comments likened the performance to watching an “adult show” and questioned whether such visuals were appropriate for a global pop group with a young fanbase.
On the other hand, fans defended Lisa, arguing that pole dancing and suggestive moves are part of mainstream global entertainment, and should not be sensationalized:
- “This is nothing new. It’s just a dance — people are reading too much into it.”
- “She’s performing on an international stage. These kinds of acts are common abroad.”
Adding fuel to the conversation, Lisa posted photos from the performance on her Instagram on August 5, seemingly confident and unfazed by the criticism. Her post received overwhelming support from international fans, with many praising her for her boldness, confidence, and stage presence.
The Paris leg of the DEADLINE tour featured BLACKPINK’s signature hits such as “How You Like That”, “Kill This Love”, and new tracks from their latest album. Despite the swirling controversy, the group maintained their reputation for delivering visually stunning and high-energy performances.
Sources: nate