This is the most poorly-dressed beauty in Korean dramas: Luckily, her visual makes up for her aunty-like style
However, she is dressed in this style for a reason, so the audience does not feel too uncomfortable.
If Kim Da Mi, the female lead of “Itaewon Class”, returned successfully with “Our Beloved Summer,” Kwon Nara – the national second lead actress who has been loved by many people in the past year – has a disappointing comeback. Her drama “Bulgasal: Immortal Souls” has quite good content with not-so-low ratings but it is not well promoted. Also, it has no names that can guarantee good coverage, so it is almost unpopular with the international audience. The most interesting thing about this drama is probably the extremely confusing clothes of the once-loved beauty Kwon Nara.
Kwon Nara’s fashion in this drama is extremely confusing. She often wears floral patterns with random combinations of layers. Sometimes Kwon Nara wears up to 3 layers, a T-shirt, a nightgown, a shirt outside, mixing with jeans, which creates a special outfit. Compared to her goddess level in “Itaewon Class”, in “Bulgasal: Immortal Souls”, Kwon Nara really made the audience think that it is not the same person.
Audience comments:
- Her pretty face carries the back for the outfits
- Fortunately, she’s pretty so she still looks good even wearing these, it’s not too much of a disaster
- The outfits are really ugly but it suits the character, the important thing is that she’s still pretty no matter what
- In the drama, Sang Un lives in seclusion and she doesn’t care if she looks pretty or not.
- I almost didn’t watch the drama because the female lead was dressed so badly but now things take turns. Oh my gosh, you’ll see why she’s dressed like that.
In “Bulgasal: Immortal Souls”, Kwon Nara plays Min Sang Un – a girl who has been through many reincarnations for 600 years and remembers all her past lives. Sang Un was originally immortal, but after experiencing some catastrophic events, she reincarnated as a human, escaped with her sister, and lived in seclusion.
