Jennie is facing intense criticism following her recent live performance, which has sparked heated debate among fans and netizens alike.
On March 22, the BLACKPINK member took the stage at Complex Live, where she performed a setlist of 10 songs, including Dracula—a track by Tame Impala featuring Jennie that was released not long ago. The performance had been highly anticipated, making its aftermath even more scrutinized.
Clips from the stage quickly spread across social media, drawing widespread attention. However, rather than praise, Jennie’s performance became the center of controversy. Midway through the song, the singer appeared to struggle vocally, with her voice sounding shaky and unstable. Observers noted moments where her pitch faltered, leading to criticism about her live singing ability.
“Within just 10 seconds, her voice cracked twice and she went off-key. Even non-professionals can hear it, yet fans will still praise her,” one comment read. Others added, “She goes off-key even with an easy song,” and “She can’t sing. Why does she even have fans?” reflecting the harsh tone of online reactions.
As a member of BLACKPINK, Jennie has long been one of K-pop’s most prominent stars. However, this is not the first time she has faced scrutiny over her stage presence. In the past, she has been criticized for allegedly lacking energy or appearing disengaged during performances.
The controversy comes amid BLACKPINK’s recent comeback with their EP Deadline and title track Go. The release has also divided critics. While Rolling Stone praised the project, stating the group “blends power and allure in their unmistakable style,” Pitchfork offered a more critical take, giving the album a 5.7/10 score and describing it as “underdeveloped and reliant on outdated formulas.”
The renewed criticism toward Jennie highlights the ongoing pressure faced by top-tier K-pop idols, where every live stage is closely analyzed. As discussions continue, the incident once again raises questions about performance standards and public expectations in the global K-pop industry.
Sources: Korean media reports,Rolling Stone,Pitchfork
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